Text exerpt (1) A science fiction classic and some examples of ‘past perfect’ and ‘used to…’

Guess which ‘classic’ the following text passage is from.

The house stood on a slight rise just on the edge of the village. It stood on its own and looked out over a broad spread of West Country farmland. Not a remarkable house by any means – it was about thirty years old, squattish, squarish, made of brick, and had four windows set in the front of a size and proportion which more or less exactly failed to please the eye. The only person for whom the house was in any way special was Arthur Dent, and that was only because it happened to be the one he lived in. He had lived in it for about three years, ever since he had moved out of London because it made him nervous and irritable. He was about thirty as well, tall, dark haired and never quite at ease with himself. The thing that used to worry him most was the fact that people always used to ask him what he was looking so worried about. He worked in local radio, which he always used to tell his friends was a lot more interesting than they probably thought. It was, too – most of his friends worked in advertising.

On Wednesday night it had rained very heavily, the lane was wet and muddy, but the Thursday morning sun was bright and clear as it shone on Arthur Dent’s house for what was to be that last time. It hadn’t properly registered yet with Arthur that the council wanted to knock it down and build a bypass instead. At eight o’clock on Thursday morning Arthur didn’t feel very good. He woke up blearily, got up, wandered blearily round his room, opened a window, saw a bulldozer, found his slippers, and stomped off to the bathroom to wash. Toothpaste on the brush – so. Scrub. Shaving mirror – pointing at the ceiling. He adjusted it. For a moment it reflected a second bulldozer through the bathroom window. Properly adjusted, it reflected Arthur Dent’s bristles. He shaved them off, washed, dried, and stomped off to the kitchen to find something pleasant to put in his mouth. Kettle, plug, fridge, milk, coffee. Yawn. The word bulldozer wandered through his mind for a moment in search of something to connect with. The bulldozer outside the kitchen window was quite a big one. He stared at it. ‘Yellow,’ he thought and stomped off back to his bedroom to get dressed. Passing the bathroom he stopped to drink a large glass of water, and another. He began to suspect that he was hung over. Why was he hung over? Had he been drinking the night before? He supposed that he must have been. He caught a glint in the shaving mirror. ‘Yellow,’ he thought and stomped on to the bedroom.

Then find examples for ‘past perfect’ and ‘used to’. Describe their use. What is the prevalent form most verbs are in in this passage?

How the story continues….

Arthur tripped, and fell headlong, rolled and landed flat on his back. At last he noticed that something was going on. His finger shot upwards. ‘What the hell’s that?’ he shrieked. Whatever it was raced across the sky in its monstrous yellowness, tore the sky apart with a mind-buggering noise and leapt off into the distance leaving the gaping air to shut behind it with a bang that drove your ears six feet into your skull. Another one followed and did exactly the same thing only louder. It’s difficult to say exactly what the people on the surface of the planet were doing now, because they didn’t really know what they were doing themselves. None of it made a lot of sense – running into houses, running out of houses, howling noiselessly at the noise. All around the world city streets exploded with people, cars slewed into each other as the noise fell on them and then rolled off like a tidal wave over hills and valleys, deserts and oceans, seeming to flatten everything it hit. (…)

A sudden silence hit the Earth. If anything it was worse than the noise. For a while nothing happened. The great ships hung motionless in the sky, over every nation on Earth. Motionless they hung, huge, heavy, steady in the sky, a blasphemy against nature. Many people went straight into shock as their minds tried to encompass what they were looking at. The ships hung in the sky in much the same way that bricks don’t.

And still nothing happened. Then there was a slight whisper, a sudden spacious whisper of open ambient sound. Every hi-fi set in the world, every radio, every television, every cassette recorder, every woofer, every tweeter, every mid-range driver in the world quietly turned itself on. Every tin can, every dustbin, every window, every car, every wine glass, every sheet of rusty metal became activated as an acoustically perfect sounding board. Before the Earth passed away it was going to be treated to the very ultimate in sound reproduction, the greatest public address system ever built. But there was no concert, no music, no fanfare, just a simple message.

‘People of Earth, your attention please,’ a voice said, and it was wonderful. Wonderful perfect quadrophonic sound with distortion levels so low as to make a brave man weep. ‘This is Prostetnic Vogon Jeltz of the Galactic Hyperspace Planning Council,’ the voice continued. ‘As you will no doubt be aware, the plans for development of the outlying regions of the Galaxy require the building of a hyperspatial express route through your star system, and regrettably your planet is one of those scheduled for demolition. The process will take slightly less than two of your Earth minutes. Thank you.’ The PA died away.

*

Uncomprehending terror settled on the watching people of Earth. The terror moved slowly through the gathered crowds as if they were iron filings on a sheet of board and a magnet was moving beneath them. Panic sprouted again, desperate fleeing panic, but there was nowhere to flee to.

Observing this, the Vogons turned on their PA again. It said: ‘There’s no point in acting all surprised about it. All the planning charts and demolition orders have been on display in your local planning department in Alpha Centauri for fifty of your Earth years, so you’ve had plenty of time to lodge any formal complaint and it’s far too late to start making a fuss about it now.’

The PA fell silent again and its echo drifted off across the land. The huge ships turned slowly in the sky with easy power. On the underside of each a hatchway opened, an empty black square. By this time somebody somewhere must have manned a radio transmitter, located a wavelength and broadcast a message back to the Vogon ships, to plead on behalf of the planet. Nobody ever heard what they said, they only heard the reply. The PA slammed back into life again. The voice was annoyed. It said: ‘What do you mean you’ve never been to Alpha Centauri? For Heavens’s sake, mankind, it’s only four light-years away, you know. I’m sorry, but if you can’t be bothered to take an interest in local affairs that’s your own lookout.’ ‘Energize the demolition beams.’

Light poured out of the hatchways. ‘I don’t know,’ said the voice on the PA, ‘apathetic bloody planet, I’ve no sympathy at all.’ It cut off. There was a terrible ghastly silence. There was a terrible ghastly noise. There was a terrible ghastly silence.

Adams, Douglas. The Hitchhiker’s Guide to the Galaxy: 42nd Anniversary Edition (S.3-4). Pan Macmillan. Kindle-Version.

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